Month: November 2025

  • Ward 86: Growing Up in the Time of AIDS

    Ward 86: Growing Up in the Time of AIDS

    My father’s memoir of the terrible epidemic of the 1980s

    My parents separated in 1973, when I was six years old. I sometimes think the amazing thing is that they got together in the first place. They are very different people. My mom is tightly wound, organized and meticulous, the daughter of Jewish bourgeoisie from the Philadelphia suburbs. My dad is shambolic and improvisational, a dreamer and aspiring revolutionary, the child of British leftists.

    But when I look at old photographs of them together I see it. She’s the American anglophile abroad in London, waif-slim in a peacoat and ‘60s bangs. He’s raffish and good looking, a Hampstead rebel, pouting and restless. They look beautiful and intense, youth on the threshold of a new era.

    They came to San Francisco in the late sixties, had two kids while still in their early twenties, me and my younger brother, and then it all fell apart. Then it fell together again for one more kid, my youngest brother. Then it all fell apart again in 1975 or 76, this time for good. My mom moved down to Palo Alto with my brothers. But my parents wanted to keep me in the same school I’d been going to, so I moved into my dad’s recently acquired ramshackle Victorian in the Castro.

    In the late ‘70s, the school bus used to drop me off at 17th and Clayton, at the top of the hill between Cole Valley and the Castro. I would walk down 17th Street to Castro, and then up Castro to Liberty Street, where my dad’s house was. By then, the Castro had supplanted Polk Street as the epicenter of late ‘70s transgressive gay culture, and my walk took me right through the heart of it. This was the era of leather boys in assless chaps and chains, spilling out of the Phoenix bar and onto the sidewalk. I used to go into Mainline Gifts, next door, because they had an R2D2 cookie jar I was infatuated with. They also sold marzipan cakes shaped like giant dicks out of their glass deli case. That was the Castro in the late ‘70s. Also, I like marzipan. Make of that what you will.

    A great thing about being a kid is that the neighborhood is just the neighborhood. I took the weirdness for granted, and nobody ever hassled me. But behind the good times and sex a contagion was lurking, about to devastate the generation of young men I walked past every afternoon.

    Read the rest on Substack

    My parents in England in August, 1966.

  • In Space, No One Can Hear You Spin

    In Space, No One Can Hear You Spin

    Crisis PR for science fiction’s most evil company

    Note: Minor spoilers for the recent “Alien: Earth” series.

    I was eleven in 1979 when my dad took me to see Ridley Scott’s Alien at the Geneva Drive-In, in South San Francisco. I watched from the back seat of the car, peeking over the front seats and retreating to the safety of the footwell when things got too intense. I saw about half the movie, by which I mean about half of the screen at any given moment.

    46 years and endless sequels later, we forget how revolutionary the alien was as a cinema monster. The face hugger. The elongated head, ooze and dento-phallic jaws of the final form. It was a psychosexual nightmare rendered in latex and KY Jelly.

    Alien fucked up my head for years. Well into adulthood, if I was stressed out about something the alien would stalk my nightmares. At some point I started kicking its ass and it fucked off from my dreams, to be replaced by other stress proxies, like the nightmare I had last week where I couldn’t navigate Spotify. I preferred the monsters.

    Alien is my favorite movie of all time. I still have the complete set of trading cards, two copies of the Heavy Metal magazine comic adaptation of the movie, a vinyl of the original soundtrack, and the photo book of the film. Relics of me, age 11.

    Unstoppable Horror! (#76 in a series.)

    It is a truism that most science fiction is about the present, using fantasy and extrapolation to tell stories about contemporary society. Alien takes place on a spaceship, but it’s a 1970s labor movie from the cinematic era of Norma Rae, Blue Collar and F.I.S.T. Seven schlubby, grease-stained astronauts fly a grimy, long-haul space tug while dealing with contractual issues and an employer so cold and remote that it is only referred as “the Company.”1 The first intelligible dialogue in the movie is the engineers bitching about their poor pay relative to the other, whiter-collared crew members.

    Read the rest on Substack