With an assortment of topics like that presented by a China media expert, international journalist, noted bridge blogger, history Ph.D candidate and a spin doctor (for good measure) how can you go wrong? It’ll be like drinking knowledge straight from the garden hose every minute you listen.

Well, not really, but pretty good fun. Online on iTunes, or listen or download at the Popup Chinese Sinica page.

A few days ago, on the construction site across the main boulevard from where I live, a set of huge characters went up, exhorting the workers to “close the gap, finish the building”. OK, twenty-foot characters seemed a bit excessive, but exhortations hung on the side of construction sites are pretty common in this town.

Then it turned out that the characters lit up at night. Great. Two rows of twenty foot, illuminated characters pointed more or less straight at our bedroom and living room windows.

And then they hung an enormous screen in a conspicuous gap in the characters, and this is the result:

Yes, that’s right, I have watch this sign count down for the next three and a half months. At least. Because four years of Olympic countdown times and a smattering of Shanghai expo counters just weren’t enough. (Only one row of characters is visible in this photo, taken from a balcony at the eastern extremity of our apartment, but trust me, there are two.)

The photo really doesn’t do justice to the scale of this thing. These characters are colossal, each well over a tall building storey in height. Maybe it’s just me, but couldn’t they have simply used the money to offer the workers a bonus for finishing quickly, and spared every resident of Soho New Town, Blue Castle, China Central Place, and the old local neighborhood on the northwest corner of Dawang Qiao the tyranny of watching this thing ratchet down by days for a third of the year?

Perhaps this isn’t quite intrusive enough. I actually think they should have installed personal countdown clocks in the living rooms of all our apartments, and perhaps forced our TVs to display it as well any time the sets weren’t tuned to CCTV’s “Network News”. Perhaps a refrigerator magnet, too.

This building has actually had a troubled construction. It was going strong until the beginning of 2009. Then construction wrapped up shortly before Chinese New Year, for the holiday we originally thought. But it never started again. I can only presume the backers became victims of the financial crisis. But like that building that lay fallow on Gongti, near Dongdaqiao Rd. Sanlitun Rd., for something like three years before finally being completed, it appears to have found fresh backing in the midst of Beijing’s insane property bubble, and is now racing toward completion. One presumes the developers want to get the units offloaded before people come to their senses and realize that there is an upper limit on the investment value of a bunch of apartments nobody is living in.

At any rate, I’d like to thank them all for blotting out a big chunk of what little sky is visible from our apartment and replacing that sky with an enormous, crimson death-clock.

Also, what is up with the new CCTV tower? That thing still isn’t open. Are they waiting for something to happen with the burned-out hulk of the Mandarin Oriental? That’s a big pile of real estate to be sitting idle. But, then, when you’re an opaque, quasi-governmental entity, maybe that just doesn’t matter.

Rather than rehash old ground, I will point you to Cam MacMurchy’s latest post at Zhongnanhai, which, I think, does a very good job of answering the Global Times criticisms and analyzing the original story. It’s well worth a read.

I will, however, add a few other thoughts.

What is it about westerners who appear on television that attracts our particular ire? Anyone wanting to look deeper into this phenomenon need only consider Dashan. If there is a foreigner who elicits more widespread contempt from fellow western expatriates I’ve yet to encounter him (or her). One friend of mine attributed this to latent racism. It’s all very well to live and work in China, but to be seen acting ridiculous for the entertainment of the Chinese is taboo. My friend memorably referred to this as the “Dance, monkey!” syndrome.

Maher seems to have earned himself the same kind of contempt. Even Imagethief has written unkind things about him in past. But everyone who works in business in China is complicit with the Chinese government to some degree. We’re all doing our bit to prop up the State. An explicit part of my job is helping foreign companies to pander to the Chinese government. That’s why we’re always helping companies to talk about their “commitment to China”.

It’s true that anything having to do with propaganda or censorship touches a particularly raw nerve in people from liberal democracies (including Imagethief), but there are plenty of other westerners working in the Chinese media. Imagethief has met many bright people who work or have worked for Xinhua, China Radio International and the China Daily.  One of them, Xinhua polisher Chris O’brien, writes Beijing Newspeak, one of the best China blogs around. The now defunct Positive Solutions gave us an entertaining inside look at the China Daily for nearly two years. (Positive Solutions author Charlie has since gone on to more glamorous things, like many other western veterans of Chinese media.) Cam himself is a Chinese media veteran.

But both Chris and Charlie also excelled at taking their employers down a peg, and giving the rest of us amusing glimpses of the mechanisms driving state-owned English language media. I believe they were forgiven because they were seen as our spies inside; people who obviously didn’t buy into the product. And, of course, neither of them was in a publicly visible or bylined role.

And this is where Maher is different. He is very visible and in the LA Times piece he is unapologetic. I believe that’s what leads those of us who don’t know him personally to dismiss him. We observers of China’s state-owned media have perfected our airs of cynical dismissal. We know how it works. We know the agenda. We can read between the big and clumsily drawn lines. We’re always happy to ridicule its amateurism and censorship. Armed with our prejudices, when confronted with someone who publicly buys into the mission of China’s English language media we are forced to see them as either dupe or collaborator. And also, if you want to be incendiary, as race traitor. None of those labels allows much room for nuance or charity.

I don’t know Edwin Maher and I don’t think it is fair for me to judge him as an individual. On the other hand, I think it’s perfectly fair for me, or anyone else who watches CCTV9, to judge him as a media professional. Other than as a crude barometer of the Chinese government’s agenda I don’t have much time for CCTV9, or any of the state-run English language media. Their failure isn’t in presenting the Chinese government’s point of view, but in doing so spectacularly clumsily. Maher shouldn’t be criticized for helping the Chinese government to tell its story. If anything, he should be criticized for not helping them to tell it better.

See also:

Inside Chinese state TV (Informed Comment – H/T ESWN)